CULTURAL PRACTICES OF SPACE AND MEMORY: EXPERIENCE OF TOPOGRAPHY AND CULTURAL LANDSCAPE (ON THE MATERIALS OF BABYN YAR HOLOCAUST MEMORIAL CENTER)

The Babyn Yar memorial complex is one of the few Holocaust spaces in Eastern Europe, located on site mass murder people during occupation Kyiv by German troops 1941-1943, especially Jewish population. article presents study logic and aesthetics space with help concepts optics "Symbolic Architecture" (Georg Hegel), "Sublime" (Immanuel Kant), as well "Greate Tradition" (Robert Redfield, Milton Singer) "Walking" (Olga Freidenberg). This optic helps to understand specificity de-differentiation cultural landscape historical place symbolic architecture, augmented reality practice procession community, which it constructs through oppositions highlighting subterranean terrestrial, visual audible, whole fragmented, symmetrical shapeless. Spatial forms memory organization avoid memorycide outside ideological disputes Europeanization tragedy images. It can be noted that tragic events World War II, revealed "Dialectic Enlightenment" dark side Modernity general, led need re-organize memory. There was a lack only internalized structures subject discursive its objectification preserve transmit grief this level intensity. Ukrainian experience visualizing continues traditional means architecture length monumentality, sublimity. At same time, scale allows diversify practices image thus make new connotations memorialization. In particular, variety successful technique, emphasize status form memory, successfully use city where other syncretism audio integral shapeless – serve artistic techniques work increase involvement actor